However, there is one element that links all of these genres together and that is. The borders are becoming increasingly blurred between dubstep, grime, drum'n'bass, techno, house, funky.

I think the fact dubstep artists embrace other genres is a big part of why it's so difficult to define the music.

Loefah played Detroit techno, Skream played metal, and Joker mixed it up with some UK funky and house. If you thought you would hear only straight-up dubstep you were in for a surprise. The Outlook festival was held in Coatia last weekend, a dubstep event hosting some of the biggest names in the genre from around the world. At the same time, dubstep is constantly changing, incorporating different sounds and styles all the time. The internet has changed all that and helped spread dubstep across the world almost instantly. If you think about drum'n'bass taking off in the 90s, a scene would blow up in one country in one year, then another a year or so later. I was speaking to Skream this weekend about how dubstep has gone so far in the past three years – we were wondering if a new style of music has ever spread around the world so rapidly. It shows how much this music has grown in the past few years that a non 'rock'n'roll' band can be accepted at a major rock festival (although it should be pointed out that we continue some of the old rock'n'roll traditions after the shows). This is unbelievable for us, considering a few years ago you wouldn't get to play those festivals unless you had a guitar in your hand or a set of drums in front of you. We have just finished the festival season with Reading and Leeds.

All i do is win remix dubstep